Internationale Tagung der Musikgeschichtlichen Abteilung und der Abteilung für Zeitgeschichte des Deutschen Historischen Instituts in Rom in Kooperation mit dem Goethe-Institut Rom.
05. Nov: 14.00 – Petra Terhoeven and Vera Grund German Historical Institute in Rome Opening Remarks and Introduction I – Politics, Contemporary Music, Women Composers Chairs: Vera Grund, Marica Coppola | Roma
14.30 – Nina Noeske | Weimar Tradition, Avantgarde(n) und Geschlechterpolitik. Osteuropäische Komponistinnen im Kalten Krieg und danach Hein Sauer | Zürich Ruth Zechlin zwischen Ost und West
16.30 – Louisa Martin-Chevalier | Paris War, Migration, and Gender. Ukrainian Women Musicians in Europe (2022–2025) Laura Zattra | Udine-Paris Militanza politica, attivismo di genere e giustizia sociale nella musica elettronica di Teresa Rampazzi Sandrine Coyez | Paris Who Gets to Sing? Staging Feminism and Resistance in Missy Mazzoli‘s Operas
18.45 – Aperitivo for conference participants
20.00 – Concert Jessica Kraatz Magri | Goethe-Institute Rome Welcome Silvia Tarozzi e Deborah Walker Canti di Guerra
06.NOV II – Feminisms and Music Chairs: Lars Döpking, Carla Conti | Roma
9.30 – Catherine Deutsch | Metz Singing Abortion. MLF Songs and the Veil Law, 1970–1979 Carla Conti | Roma „E insieme alle donne come soggetti“. Il Canzoniere femminista come esperienza di intersoggettività femminile nell‘Italia degli anni Settanta
11.30 – Maria Teresa Betancor Abbud | Paris Music as Domestic Work. Wages for Housework‘s Musical Repertoire and International Correspondences Constanza Toledo | Wien Transnational Women‘s Sounds. The „Un violador en tu camino“. Performance Locally Contextualised and Globally Resignified
14.00 – Hannah Miriam Tulay | Paris Nationalism, Enlightenment and Universal Feminism. The First Wave of Turkish Feminism, its Unique Composition and Transnational Impact II – Feminisms and Music (continuation) Chair: Petra Terhoven | Roma
14.45 – Miriam Akkermann | Berlin Chicks on Stage. Towards New Performance Formats
16.00 – Roberto Lucanero | Teramo Four Women e il palloncino rosso di Nina Simone. Mitografia della più rivoluzionaria musicista afroamericana Konstantin Hirschmann | Wien „Para bellum – para, para bellum“. Verbal-performative Kriegserklärung an das italienische Rap-Patriarchat III – Queerness, Gender and Music Chair: Vera Grund | Roma
18.45 – Lecture performance Emiliano Manna | Conservatorio Santa Cecilia di Roma (speak to me) – questioni di genere nel repertorio per speaking pianist
07.NOV: 9.30 – Matthias Tischer | Neubrandenburg Wie queer war die Nachkriegsavantgarde? René Pauls | Paderborn Zwischen Revolution und Regression. Geschlechterbilder in Hans Werner Henzes La Cubana
IV – Feminisms and Music (History) Discourses Chair: Nina Noeske | Weimar
11.30 – Mieke Struwig | Stellenbosch Searching for Feminisms in South African Music Studies. Women, Activism, and Multicultural Education Vera Grund | Roma Modeling the Musical Past. Feministische Strategien und antifeministische Gegenstrategien
13.00 – Summary and Closing Remarks